“Deep
in the cavern of the infant's breast; the father's nature lurks, and
lives anew”. Starting the film with
these lines from Roman poet, Horace, the mood gets set early on for this tour
de force.
Set in the nouveau-riche landscape of Gurgaon,
with fields adjacent to glass towers, luxury cars amidst paddy fields, rustic gun
toting agents of ubiquitous real estate developers talking shop next to swanky
swimming pools, the film gets the setting absolutely right. This goes on to
become an essential set piece of the plot and is a huge plus for the film.
‘Aurangzeb’
then goes on to weave a plot of ambition, deceit, filial relationships and makes
for a compelling case. The viewers is subjected to familiar situations, and then
made to make hard choices. Is it family first or your integrity? Is it personal
ambition or filial duties, which is more important. What’s the definition of
success? Is a rich and powerful patriarch more successful than an ‘unsuccessful’
old man who has been able to raise his children with good values? Can there be
a moral compass in a family that speaks the same language. Are the seeds of
corruption sown in the children while they are their schools itself?
Arjun Kapoor goes on to prove that ‘Ishaqzaade’
was no fluke. With the colossus of an actor in his middle age, Rishi Kapoor yet
again makes a mark and key performance from all others involved, the film is
shining example of consistence, good research and relevant plot. The film makes
for a gripping viewing and the 2nd half outdoes the 1st
with a fitting denouement.
The makers of ‘Aurangzeb’ clearly
overestimated my knowledge of history and expected viewers to get the hint from
the title. Initially cynical of the title, in retrospect I feel it’s justified
having watched one of the best films this year. 4.5 Stars